![]() Myleene Klass shows off her tanned physique in a green floral bikini as she hits the beach after jetting off for a festive family holidayĭeadpool actress Morena Baccarin enjoys a Sunday stroll with her nine-month-old son through Brooklyn Bridge Park Thylane Blondeau shows off her legs in cut-off denim shorts as she hits the beach with fiancé Benjamin Attal after year long battle with ovarian cysts 'The absolute greatest!' Leigh-Anne Pinnock and Jordan Stephens lead the social media birthday tributes to Jade Thirlwall as she turns 29 'F*** off Covid!': Kerry Katona sparks concern as she confesses that she is 'getting worse not better' more than a week after getting positive test result Megan Barton-Hanson displays her eye-popping curves in tiny bikini during spa day - as she continues to move on from James Lock split PICTURED: Obsessed Kylie Jenner fan is arrested outside her Beverly Hills home as he violates restraining order after numerous visits to her house How Kelly Reilly lassoed the limelight: Meet the British actress taking the US by storm with role in Kevin Costner's non-woke ranch drama Yellowstone Here's what you need to know.Ĭlaire Foy goes make-up free and wraps up in knitwear to grab coffee in London as she's praised for her portrayal of disgraced Duchess of Argyll in A Very British Scandal This visually arresting but emotionally low-key effort will impress on TV, but on the big screen it needed to be more gripping, passionate and cinematic.įrom kick-ass women to incredible fight scenes: Jessica Chastain's new action-packed thriller The 355 is THE movie to see this January. Neither is perfect, but both come closer to capturing the novel’s Gothic grandeur. You’d be better off seeing the Orson Welles version from 1944, or even the one with William Hurt and Charlotte Gainsbourg in 1996. This remake does have its moments - the proposal scene, in particular, is touching - but it gives few hints of why the story is a romantic classic or a landmark in sexual politics. The novel wowed readers when it came out because it encapsulated the point of view of a new kind of free-spirited, rebellious heroine. The storytelling is sometimes unclear, and we never find out exactly why one visitor is carried off the premises with his throat cut.Īnd the fact that Jane is uninterested in gaining an explanation makes her seem dim as well as grim. I felt the latter would be better off with Jane’s rival Blanche Ingram (Imogen Poots).ĭirector Cary Fukunaga, 34, doesn’t have a new angle on the old story and fails to exploit the suspense of the spooky elements. Her Jane is not that great a catch, and it’s hard to see why the two main men in the film - the tediously pious St John Rivers (Jamie Bell) and the rather more worldly Rochester - fall for her. She makes Holly Hunter in The Piano look like a party girl. Wasikowska, almost as stiff as she was in Tim Burton’s Alice In Wonderland, plays her as starchy and unappealing. Heart warming: Michael Fassbender as Rochester and Mia Wasikowska as Jane in a scene from the film
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